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Compare prices for A Day at the Races

On this page you will find a list of prices for A Day at the Races at UK online CD stores with the cheapest prices at the top.

The links next to the prices will take you to the relative stores, where you can place an order or browse for more information.

TitleA Day at the Races
ArtistQueen
Release Date27 September 1993
PublisherParlophone
R.R.P.£ 8.99
StoreItem PriceDelivery ChargeTotal Price 
7digital (MP3)£ 4.49£ 0.00£ 4.49Go To Store
PowerPlayDirect£ 4.99£ 0.00£ 4.99Go To Store
Play.com£ 4.99£ 0.00£ 4.99Go To Store
HMV£ 4.99£ 0.00£ 4.99Go To Store
SelectCheaper£ 5.43£ 0.00£ 5.43Go To Store
194U£ 5.99£ 0.00£ 5.99Go To Store
The Hut£ 6.43£ 0.00£ 6.43Go To Store
Asda£ 6.43£ 0.00£ 6.43Go To Store
SendIt£ 6.49£ 0.00£ 6.49Go To Store
Currys Entertainment£ 6.93£ 0.00£ 6.93Go To Store
Tesco£ 6.97£ 0.00£ 6.97Go To Store
Dixons Entertainment£ 6.97£ 0.00£ 6.97Go To Store
Amazon UK£ 7.78£ 0.00£ 7.78Go To Store
Amazon (MP3)£ 7.78£ 0.00£ 7.78Go To Store
Borders£ 11.69£ 2.09£ 13.78Go To Store
ChoicesUK£ 12.49£ 1.99£ 14.48Go To Store
991.com£ 14.99£ 1.50£ 16.49Go To Store

The following stores were also checked when comparing prices for the A Day at the Races, but they do not currently stock this CD: - Crotchet Music, Blackwell, CD WOW!, iTunes (digital download), Bang CD, LoveFilm

As its title suggests, a companion-piece to A Night At The Opera in almost every sense: "Good Old-Fashioned Lover Boy" recalls the fey, music-hall spirit of the previous album's "Lazing on a Sunday Afternoon", just as "White Man" echoes "The Prophet's Song". "Somebody to Love", meanwhile, attempts to outdo even the grandiosity of "Bohemian Rhapsody"--this time substituting the influence of American gospel for Italian opera, and allowing Mercury's diva inclinations to run riot. Over-the-top, undoubtedly--but the band knew it. Even at their most wilfully indulgent, Queen were always redeemed by a knowing sense of irony. Unlike many of their peers, they not only recognised the inherent absurdity of stadium-rock, but actively embraced it: the larger-than-life posturing, the overblown emotions, the operatic need for catharsis--all were worked into their music, and exploited to the hilt. But ultimately, it was the songs that mattered most--and they were, with very few exceptions, superb. --Andrew McGuire Amazon.co.uk Review.

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